Why religious artefacts matter beyond faith

Whilst some may regard this as a secular age and perhaps falling church attendance might support this theory,  nevertheless, there is a great interest and demand for religious artefacts, not only by those wishing to have a visible image to help with private worship in the privacy of their own home but often by interior designers who recognise and appreciate the artistic merit of these items. I am fascinated by church history and the wealth of interesting artefacts that sometimes come to the market. This, of course, extends to icons that have a history dating back to the very early days of Christianity. It always amazes me the skill of the artists at a time when materials were more basic and historic, and often traumatic events were taking place.

The world of icons is complex and utterly absorbing. An icon is a religious work of art, a painting most favoured by the Eastern Orthodox, Oriental Orthodox, catholic, and Lutheran churches. Subjects most usually include Jesus, Mary, the Saints, and angels. Generally painted on wood with egg tempera, but also sometimes cast in metal, embroidered on cloth, or painted on paper. “Iconic” is often used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses the same word as “writing,” and Orthodox sources often translate it as “icon writing.” It can therefore be interpreted that one reads an icon. Frequently painted on a slightly curved board with a generally dark background, the subject will have a gold halo, pointed fingers, and the eyes may seem to follow you.

These are just my simplistic thoughts on icons, a subject I intend to explore in much greater depth.

Apart from icons, candlesticks, models of angels, and religious paintings are also a passion.

I hope to find artefacts that will appeal to those who use them for religious purposes, as well as those who may simply appreciate their artistic value and later fall under their spell – who knows their power!